El eneagrama sauriano: Geometrías de la memoria en el cine de carlos saura durante la transición democrática española

Ernesto Perez Moran

Resultado de la investigación: Contribución a una revistaArtículo

1 Cita (Scopus)

Resumen

Carlos Saura’s filmography during Spanish Transition is strongly revisionist. Memory and its representation imbue a group of six films that revolve around this return the characters of Saura implement. A comparative analysis of them reveals the saurian characters shape some kind of scheme. We’ve called “Carlos Saura’s Enneagram” because it implies the repetition of a group of archetypes subordinate to the Memory. Our main objective is to define a memory model by a film director who never left nothing up to fate. This model also makes posible to delineate the main characteristics of the memory in Saura’s cinema.

Idioma originalEspañol
Páginas (desde-hasta)131-146
Número de páginas16
PublicaciónObservatorio
Volumen12
N.º1
DOI
EstadoPublicada - 1 ene 2018

Palabras clave

  • Carlos saura
  • Characters
  • Cinema
  • Memory
  • Spanish cinema

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